Even more than writing in other genres, the detective story, often called a whodunit, tends to follow standard rules. This is because readers of detective mysteries seek a particular experience: they want the intellectual challenge of solving the crime before the detective does, and the pleasure of knowing that everything will come together in the end.
The detective's investigation is based on motive, opportunity, and means, and the detective arrives at solving the crime by, of course, eliminating suspects who do not fulfill these criteria.
The detective questions suspects, sifts through clues, and tracks down perpetrators. The detective shares all the clues with the reader but withholds their significance until the end.
To make the case interesting to the reader, the writer often puts complications, and twists and turns in the detective's way: several suspects, additional murders, red herrings.
Only at the end does the detective unmask the culprit and plot, and present the deductive reasoning used in solving the case.
Detective mysteries evolved in the early part of the 20th Century from stories about detectives in which the reader wasn't a participant, but rather a witness, looking over the detective's shoulder, so to speak.
Early Detective Stories
The originator of the early stories of investigation was the American poet and short-story writer Edgar Allen Poe, creator of the world's first known fictional detective C. Auguste Dupin.
Dupin's methods of deduction and his strange personal habits provided the model that many detective story writers have followed since.
Dupin made his debut in April 1841, when Graham's magazine published Poe's classic horror story: The Murders in the Rue Morgue. Dupin appeared thereafter in 'The Mystery of Marie Roget' (1842-43), 'The Purloined Letter' (1845). It is believed that Poe's Dupin character was modeled after real-life crook-turned-cop French detective Eugene Francois Vidocq (1775-1857).
Charles Dickens ventured into writing detective stories with The Mystery of Edwin Drood (1870), but the novel was unfinished at the time of Dickens' death and his ending for it remains unknown.
English author and playwright Wilkie Collins, contributed The Moonstone (1860) and The Woman in White (1860) featuring Detective Sergeant Cuff.
Sherlock Holmes and Followers
Detective stories didn't become truly popular, however, until Beeton's magazine published in 1887 'A Study in Scarlet', introducing to England and the world the most famous detective of all time – real or fictional – Sherlock Holmes.
Obviously influenced by Poe, Arthur Conan Doyle, the English writer who created Holmes, gave Holmes Dupin's mental traits and equally strange habits, and he narrated his detective's exploits, as did Poe, from the vantage point of a close companion, in Holmes' case Dr. Watson.
Altogether, the original Sherlock Holmes mysteries consists of 4 novels and 56 short stories. Holmes is the hero, even today, of detective adventures written by other writers.
Sherlock Holmes popularized the detective story and brought it to its present form. Since Conan Doyle, writers have sought to develop detective heroes who echo both Holmes' unique character and omniscience.
In 1911, the English writer G.K. Chesterton developed the character of Father Brown, a priest-detective.
In 1920, during what is often called the golden age of the detective story, the English writer Agatha Christie introduced her hero, Hercule Poirot (1920-75), a dapper Belgian detective.
In the U.S., the Ellery Queen detective series began in 1928, created by Frederic Dannay (1905-1982) and Manfred Bennington Lee (1905-1971); and S.S. Van Dine (1888-1939), under the pseudonym of Willard Huntington Wright, began writing about the dilettante detective Philo Vance in 1926.
Meanwhile, another American writer, Earl Derr Biggers (1884-1933) wrote about his famed Chinese detective, Charlie Chan (1919).
Other authors who emerged in the 1930s are American writer Rex Stout (1886-1975) with his famous gourmet detective Nero Wolfe (1934), and the scholarly English writer Dorothy Sayers, whose detective hero was an aristocrat, Lord Peter Wimsey (1921).
Authors of the 1930s, in their efforts to outwit the reader, concocted elaborate ingenious puzzles such as the locked-room mysteries of American writer John Dickson Carr (1906-77). The aim was to produce as the murderer the least likely of all suspects, which Agatha Christie excelled at.
Private Eye Tales
Meanwhile, in the U.S. during the 1920s, another type of detective story was emerging – shaped by the pulp magazines of the time, notably Black Mask, which wanted hard-hitting detective heroes and tough language.
Authors who wrote this style of detective story include Erle Stanley Gardner, creator of Perry Mason, the most famous lawyer-detective; Dashiell Hammett, creator of Nick Charles and Sam Spade; and Raymond Chandler, creator of phillip Marlowe.
In these hard-boiled private detective novels, sleuths worked for money instead of intellectual fun, and the style was on action and the puzzle was underplayed. The story's physical activity, which sometimes degenerated into rough sex and sadism, rather than the puzzle, held the reader.
The Police Procedural
In the early 1950s, a trend away from the sex and sadism type of detective novel and away from the private detective tale in general, developed. The "police procedural" – stories about how real police detectives go about solving real crimes – was born.
The difference offered by the police procedural detective novels from its predecessors is that the reader consorts, not with genius, but with fallible, ordinary people, specially trained in investigation.
The most prominent writers of this type of detective novel are John Creasey (1908-73) writing under the pseudonym J.J. Marric, with his tales of Gideon of Scotland Yard; Evan Hunter (1926-2005) and his 87th Precinct series under the pseudonym Ed McBain; and former New York City transit police detective Dorothy Uhnak (1930-2006) with her series featuring Detective Christie Opara and others.
The detective story is sure to endure as staple reading fare even with its pendulum swings in popularity. Its strength is that it provides excitement and satisfaction. The detective story novel deals with evil, which is generally fascinating, at the same time promising that good will triumph over evil, and that the ending will be relatively happy and complete.
Brian Blackwell
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